Much as been made, over the fact that Times New Roman was created in the 1930’s and that superscript “th”s and proportional spacing were all available in some form in the 1970s.
What many of the Rather apologists ignore is that for you to claim is was possible to create these documents in the 1970s you can’t set about proving that 4 different features were available on 4 different machines. You must prove that ALL the typesetting features used in the memos were available on the SAME machine.
It is hardly believable that the Col. Killian would have typed the proportional spaced parts of the memos on one typewriter then taken the paper out and made the “th”s on another.
CBS had a world renowned typewriter expert, Peter Tytell, try to tell them the documents were bogus for this exact reason, but they ignored him. In the words of Mary Mape, “Enough about the [expletive] ‘th’.”
Tytell was so well known in his field that CBS had already interviewed him twice in the past. In fact Andy Roony interviewed him in 2000 and called him a “famous typewriter detective.” Tytell gave CBS enough evidence that the fact the memos were forged really should not have been in doubt. He, like many others, concluded the typeface was Times New Roman and it was done on a computer.
Tytell a real expert with a resume a mile long. (included at the end of this post) He provided them concrete evidence, he just didn’t do a search on myfonts.com
Tytell told the Panel that he watched the broadcast that evening and determined “within 5 seconds” that the superscript “th” on the Superscript Exemplar [real document -ed] had been produced by an Olympia manual typewriter, and that it was materially different from the superscript “th” on the May 4, 1972 Killian document that had been shown on the September 8 Segment. The “th” on the Superscript Exemplar did not rise above the adjacent number and was underlined, while the superscript “th” in the May 4, 1972 Killian document rose well above the adjacent number and was not underlined. The May 4, 1972 Killian document is Exhibit 2B to
Tytell provided the Panel with a typestyle “strikeup” chart that he created using an Olympia SG3 manual typewriter with Elite 87 typeface. He also provided the Panel with a separate chart that he created to compare various portions of the Superscript Exemplar with corresponding passages of the Superscript Exemplar that he created using the Olympia manual typewriter. Tytell explained to the Panel that, as shown on the comparison chart (Attachment C), the Olympia manual typestyle appears to match the typestyle used on those portions of the Superscript Exemplar (including the line containing the superscript “th”). Tytell also explained to the Panel that the Olympia manual typewriter was the only typewriter available in the early 1970s that he knows of that had the superscript “th” key as a standard feature.
What this says is that the Olympia “th” matched the “th” on the REAL documents but did not match the Killian memos. This was a problem because there was only one machine that could do a “th” back then. He could reproduce the real documents with the Olympia but not the bogus ones. Why not???
Tytell also concluded that the Killian documents were not produced on an Olympia
manual typewriter. Tytell explained to the Panel that the Olympia manual typewriter available in
the early 1970s did not have proportional spacing and therefore could not have produced the
proportional spacing that appears in the Killian documents.
That’s the problem. To prove it was even possible to produce these documents, you need to have a machine that does both the “th” AND the proportional spacing AND it has to have the same font as the memos AND it has to a regular typewriter not a typesetting machine AND it has to at least plausible that a Texas National Guard unit would have one. (that’s a lot of AND’s)
But Tytell didn’t stop there:
]]>< 

QED for a certain professor in Utah.
To quote Jayne on “Firefly”,
“I’m smelling a lot of “if” comin’ offa this plan…”
Times New Roman was not created in the
1930’s. The font that was created in the
1930’s was simply Times Roman (no “New”).
Times New Roman emerged in the 1980’s so that
Monotype could get around licensing issues with
Linotype which owned Times Roman.
http://www.truetype.demon.co.uk/articles/times.htm
I find my self oddly fascinated with all of this. Keep it up.
BTW, what’s next for CBS, do you think? You think this is all just going to fade into the wind- no more investigations? (other than the occasional update from the blogosphere?) I’m not hearing much about this from the other MSM outlets…
Is it just me or is Times New Roman the most annoying font in the world? (f*cking windows default)
Ironically, Times New Roman is different from Times Roman in that it was designed _specifically_ for a Windows Monitor. When you only have 75 dots per inch, the real Times Roman is horrible as a screen font, just as Times New Roman looks like crap on the printed page.
It’s not designed for printing. And it causes my company lots of headaches when it comes in with somebody’s new style sheet.
At least it doesn’t have some secret message about Israeli involvement in September 11 like the Wingdings font.
I’ll bet Scott Peterson wishes he could have bought “the panel” for a jury!